Monday, September 20, 2010

The Monstrous Female Body in "Beowulf"

Beowulf states in the poem "Sorrow not, wise one! It is always better / to avenge one's friend than to mourn overmuch" (1384-1385). That is, of course, unless you are a woman. For a woman to avenge one's friend, or one's son as illustrated by the actions of Grendel's mother, is problematic - in Beowulf such a woman functions as a perversion of the ideal female in Danish society. For a woman to exhibit agency is figured as fearful, threatening, even monstrous. Women, particularly women's bodies, have always posed a threat to society and Grendel's mother is just another to add to the list.

Jane Chance, in "The Structural Unity of Beowulf: The Problem of Grendel's Mother," convincingly argues that the function of Grendel's mother in the poem is to represent everything a woman should not be and do: she should not avenge her son's death, she should not show agency but, rather, passivity in matters of state, she should not exhibit pride, etc. Because Grendel's mother does show agency she is figured as monstrous and it is made clear in the poem that there is no room for her in respectable Danish society. And, yet, upon first read I found myself almost sympathizing with Grendel's mother - she has just lost her son and, in a society that places signficance on vengence and kinship, I thought it was only normal for her to want to avenge her son.

Over the centuries, women's bodies have always held a certain amount of fascination for some but, unfortunately, this fascination has usually morphed into disgust and evidence for their affinity towards less Godly, and more monstrously demonic, forces. The body of Grendel's mother is an example of this. She is the only mother in the poem to give birth and raise a son without a father-figure. In fact, it is not altogether clear if there ever was a father at all thereby endowing the body of Grendel's mother with unfathomable powers which would, undoubtedly, seem threatening to the male dominated society of the Danes. Moreover, her battle with Beowulf is imbued with sexual overtones which could further suggest fear of female sexuality. It is only natural, then, that she should be a monster as the perversions she represents would not be embodied by a good Danish woman.

1 comment:

  1. Aia--I really like this reading of Grendel's mother, I think it is very compelling. After I read your post I was thinking about the end of the Song of Roland and the Saracen Queen.

    In a somewhat different light I think we see the same ideas hold true. Because she converts to Christianity, and thus obeys the expectations of the society surrounding her, she is allowed to survive. By giving up paganism she does not invoke fear and seems to escape being an other. On the other hand it doesn't appear that Grendel's mother will have much luck in escaping her Monstrous identity...

    ReplyDelete